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Wednesday, March 18, 2026

Chinatown Vignettes by Koon Woon


 

Vignettes of Chinatown and Slices of Chinese-American Immigrant Life

 

Chinatown, Seattle (a poem)

 

When the light is with you,

the dust is behind an old gift shop. 

Faded memories are displayed in the window.

Persistent footsteps have descended these curbs

for humbow retreats. Footfall killing time.

 

Frayed stairs of tenements bring down bitter strength.

Through alley doors furiously wokking,

below Chinatown family association halls.

Pigeon feathers and other disorders

flutter down these streets. Footfall killing time.

 

On Weller Street roast ducks are hung,

headless, dripping fat, next to

The Proprietress of Love; three flights of stairs

lead to a den of poverty. Unwashed windows face

out at tarry streets. Footfall killing time.

 

Construction workers face-lift the train station

and the sports dome is about to be imploded.

All discussions of dim sum before the tea kettle whistles,

drainage pipes complain of rust and leakage

on these back streets. Footfall killing time.

 

On a spring day the sun mild and modest,

tender green foliage reappear on inner city streets.

On a fall day at sundown warm and emberly

as the ferry traverses the Puget Sound,

the maples turn three or four shades of yellow and brown,

when lightly you walk upon these streets,

footfall killing time.  

 

 

  1. Rooms and Occupants

 

     Up four flights of the rickety, windy stairs of 416½ is a den of poverty in #317. There lives a not-so-recent Chinese immigrant asleep on a cot with a cockroach crawling on his face. He is in a medicated stupor, while the roar of the traffic down on Jackson Street going east and west, and the I-5 freeway likewise rumble over Jackson going north and south. His room has only one window without shades. He uses a cardboard to block out the light. Pushed against the window is a small restaurant table, the kind for a solitary customer. On his table is an opened book, Pale Fire, by Vladimir Nabakov. Come to think of it, this old hotel is a firetrap. But because of the grandfather clause, this hotel doesn’t have to be up to code to have inhabitants.

     In the next tenement #319, an old frail man is coughing, while reading the Longacres’daily racing form, before he will negotiate the stairs and out the narrow double entrance doors of this tenement to catch the bus to the racetrack. Built in 1920, ostentatiously called the Republic Hotel, when there was a lot of money floating around in Seattle, and in the 1930’s, it sported an all night dancing ballroom. The old man is thin and tubercular but he is still smoking. He washes his clothes in his room and hangs it on a wire to dry.

     To the left side of #317, the occupant of #315 is a svelte youngish woman, who has just finished eating a bowl of sweet barley soup and is blow drying her long black hair, minutes before she has to rush off to catch a bus downtown to transfer to Virginia Mason Hospital where she is a housekeeper.

     The able-bodied tenants have gone to work in restaurants and garment shops. Some old tenants are babysitting their grandchildren. Here they are hidden from Chinatown streets. The occupant of #317 is taking his afternoon nap. He has a mental disorder and his medication tires him easily. He has been reading all morning because he is taking a correspondence course in autobiographical literature from the University of Washington. He had lunch not long ago, lunch that he had cooked on the hot plate. He had rice and fried bacon rinds. The cooking grease odors make the roaches active. One is now crawling on his forehead. He is oblivious to the world.

     When Shui washed her bowl in #315, the bowl that held her sweet barley soup, she rinses it several times more than necessary in her basin in the corner of the room. The room measures 10 feet by 12. This is the total sum of her real estate besides the communal tubs at the ends of the hall and the communal toilets. She even has to bring her own toilet paper. Now she opens her door, gets out, locks it, and then checks it. Then once assured that it is secured, she starts running down the hallway and down the tenement stairs. Out on Seventh Avenue South when she pushes open the tenement doors, she runs to King Street and runs downhill to 4th Avenue South to catch any of the buses that go downtown, where she will transfer on a bus to go to work. She wears a blue windbreaker, making her a streak of blue in the rusty streets of Seattle Chinatown. She shields the sun from her face with the left hand holding a folded newspaper to her forehead. People turn and stare. She is also oblivious to the pedestrians and drivers on King Street and her only thought is to get to work on time. There just never seems to be enough time to get everything done. There’s always so much washing to do. The tenants hang their hand-washed laundry on the fire escape, different colors like the different flags of the U.N.. But poor Chinese immigrants have little representation in America, let alone the U.N..

 

  1. Introduction to Mr. K

     There’s what the sociologists called the “drift-down theory,” that is, the mentally ill and the less able drift down the economic rung until they find the level at which they can function and operate. And so according to the logic of this theory, the people in Chinatown, albeit it is a glittering ghetto, are there because they can’t function anywhere else…

     And so when K, the occupant of #317, wakes up because he has to go and urinate, he goes down the hall to the communal toilet stall. He normally counts as he urinates. This time it is a count of thirty. He counts like this: one-thousand-one, one-thousand-two, one-thousand…and so on and he finishes urinating at the count of thirty. So, he knows that he has been urinating roughly about thirty-seconds. After zipping up, he goes over to the window in the alcove that leads to the fire escape for a breath of air. He absent-minded looks down on Jackson and 7th Ave. S. and sees a military tank coming up the street. It looks like a tank wants to stop and take up position. Just then, a motorcycle police speeds up and escorts the tank up Jackson Street. K wonders whether they wanted to blow up the Republic Hotel.

     But he doesn’t think about that for long, for he wants to get back to his correspondence course. He is taking a course called Autobiographical Literature, and now he is reading Franz Kafka’s letter to his father, a very convoluted and detailed letter like a legal brief. The rug on the tenement hallway is thin and frayed. Passing by the manager’s and  #319, he enters into his room and sits down at the only chair in the room at the only table and it is pushed against the only window. He likens the window to the eye of Cyclops on the world. He boils some water on the hot plate for some instant Folgers coffee. Folgers is the cheapest brand he could find. He goes back into his reading, making notes, and occasionally, a cockroach would crawl around the bookshelf above the bed to the left of the table. The small table also serves as the dining table and for writing letters to his Uncle in China. He writes one letter every two months in very rudimentary Chinese, since he only studied five years of grammar school in China before he emigrated to join the rest of his family here in the U.S. He moved into Chinatown when he left the crack house in the University District five years ago. Immediately his rent dropped $130 a month, and with that he was able to take a correspondence course every six months and have a little bit of money to send to his Uncle.

     Meanwhile, cars go up and down Jackson Street down below and their chrome gleamed aggression. And there are enough sirens here to last a lifetime. The police station of the South Precinct is only five blocks away; the fire station is only a few blocks away and the hospital is just up the hill. And in the morning, the huge, long Gais’ Better Bread truck negotiates its way up Jackson. And buses roll down the street, and finally, he began seeing homeless people sleeping on the top of the building across the street, a foreign car garage…

 

A Moment in My Rented Room (a poem)

 

Sometimes I think of myself as an astronaut

In my compact, rented room and look upon the bookshelf

With its deep mathematics books for deeper space

As from a voyage from which one cannot return.

Then multiply by several million men who cannot marry,

Men who cannot own homes, or to work, or to go to college.

This is almost equal to the space effort.

But why all that money? I can go to Pluto just by

Being in a bad mood.

 

Sometimes I think of the loneliness of deep space

In my rented room. The neighbors have busily gone off to

Epsilon Centauri or Galaxy X-2137 or to the 7 – Eleven.

Sometimes I look at my 16-oz. jar of coffee; I know

What the minimum daily requirements are. Cybernetics

Steers me to avoid collisions with black holes or stars,

And my hot plate sustains me with pinto beans and bacon rinds,

And on my mini stereo, always the Blue Danube.

 

It is rainy today. My room is a bastion . I am filing

The sparse bars of prison. I am building a mental atom bomb.

I am designing spaceships. Multiply this by several millions.

 

                      

  1. Miss Miao

   “My sad friend,” Miao sighed, “It is my misfortune you are unable to work and I have to garment shop work and cannot go real school.” She said this when the English ESL tutoring session was over. She still had to hand-wash her laundry and to hang them in her room. She normally obtains water through a hose from the corner washbasin of her tenement room, with the water separated into two plastic buckets she retrieved from a restaurant nearby, one bucket with soap and the other one holds water for rinsing.

     K would sit at the edge of her cot and converse with her and she would sit on a small stool and wash away, underwear and all right in front of him. They were both from

Canton.  He had come twenty-five years earlier as a young boy. There was little pretense between them. K told Miao he would marry her if he could.

     Miao had been a police clerk in Canton. One time when K explained a new vocabulary word to her, she suddenly searched under her bed. Among the boxes of papers and notes she found just the right piece of paper and the exact word under discussion. Her father, who lived in the adjacent room, had been a minor official in China that was imprisoned by “The Gang of Four.” Miao explained it this way: “One time my old father was a little bit crazy. He thought all the radios and speakers were saying, ‘Old Kuang, you are a bad man.’ My father went to hide in a garage. And after a long, long time, I looked for my father and found him, and I say ‘Father, it is all right now, you come home.’”

     One day Miao was working at the garment shop near the Kingdome stadium when she went out into the hall and ran into Kathy, who owned the Artex import company, which operated out of the warehouse a floor above the garment shop. Kathy is Taiwanese Chinese and since Miao speaks Mandarin, they got talking. “How is your English?” Kathy asked. Miao said that she is studying ESL at Seattle Central College and that she had a tutor. Kathy then asked, “How is your memory?” Miao said her memory is normal.

     “Good!” Said Kathy, “You need to remember many items of imitation leather vinyl goods for office products we receive and ship. There is some moderate lifting and some faxing requiring elementary English. I do need someone. Would you like to try?”

     By a stroke of luck, Miao became a warehouse shipping clerk. Rather than to work with forty other noisy women in a hot stifling room, Miao now is able to work alone in a cool warehouse with more of a future. Miao’s enthusiasm for learning English was doubled. 

  

When Kafka Is Unhappy…

     When Kafka is unhappy, he paces about his room in the rooming house known as

“The Castle.” He shares the carpet with a little girl ghost as she runs back and forth, stepping over his slippers, humming Leonard Cohen’s tune “Suzanne,” and ignores the writer/lawyer altogether.

She has a mind of her own, thinks Franz. But I have to keep my windows shut so that caterpillars can’t get in here and eat what’s left of my bagel with cream cheese.

     Being a lawyer and working for the Disability Compensation Bureau, Kafka sees many people down on their luck. One mistake in the workplace can cost you your hand or an arm. And a ton of bricks can fall on you at the factory if the forklift guy isn’t looking out for you. And so you join the union. Safety in numbers.

     The other day Max Brod came over and wanted to be literary executor of his novels. Franz is not so eager to publish his works in his lifetime. “Just think, my dear Franz, with your clean prose, elegant and Spartan, and your ideas, what ideas! How can you deprive the world of this literary feast?” Franz remains mum. He is afraid that success, if it does come, would spoil his anonymity and even misrepresent him. I wrote because of these maddening ideas, and in no way am I going to betray my little girl ghost in my room.

     Kafka does lament that the door of his room leads to the communal den. And when he leaves or comes he needs to see other boarders eating at the communal table where Joe leans his bicycle. He is careful not to let the girl ghost out of the room. He always worry that she is too thin and has an eating disorder. He usually buys a loaf of bread, cheese, and liverwurst and hides it in his lawyer’s bag for the girl. She never touches the food.

     And so Kafka ends up eating what he brought for the girl ghost, and thinks about justice in a small way. It is overly misrepresented, he thinks. We lock ghosts up and they haven’t done us the least harm. He thought about a passage from Leonard Cohen’s early poems, “I wonder, when I look out the window of the furnished room, how many people are looking back at me?”

     Kafka kept on writing throughout the night. He knows that on a cold, cold day, his manuscript can make a pale fire. The thought of that makes him feel warm. He ignores the little girl ghost as she raced up and down the carpet. Writing was his real job.

 

Koon Woon

Published in Gobshite Quarterly

 

 

De la Mancha

 

Paper was invented when a tree fell into a pond

Ink was invented when a berry dropped onto the ground

 

Don Quixote was born when Miguel Cervantes picked up the pen

But for four hundred years we still not learned a thing

What we invent that don’t kill we still have not utility

We double-down on the lethality of monstrous cruelty

 

The practical thing to do is still to endlessly augment our wealth

Never mind the environmental damage to our health

 

When the drones come out from the local police departments

We must stay home and read about the knightly news

 

Don Quixote and Sancho Panza the pair de la Mancha

We count on you!                                                                                                                

 

Koon Woon

(previously published in Quixotica, Hong Kong)

 

The North Beacon Hill Canto

 

I will pay for the breeze, brief as it is,

rippling across the shroud of green leaves

over the ravine, on this sun brightened day,

in my Beacon Hill neighborhood,

where life is idle, and Dylan Thomas would pronounce it good.

 

On rainy days even, it boasts of a solitary café:

[The Station],

as in a station of the metro,

“the apparitions of these faces in a crowd”

(a small intimate crowd it is),

“petals on a wet, black, bough.”

 

And would it have been worth it,

to order a tea, coffee, or cocoa,

marshmallow or orange marmalade

that will take you to another level of glad?

Like a walk from the house at a fresh hour of the morn,

inclined so slightly is 18th Avenue South,

spritely I jaunt past houses with eaves and green paint,

past shrubs manicured and the variegated roses that grace

communal pledges that we made

to rescue each from days that are sad,

as the gardens were mastered by gardeners

who measure without malice and weigh without hate.

 

Cross Beacon Hill Avenue with me to the Red Apple,

a house of plenty on this hilltop.

Take your sums from the Wells Fargo ATM,

go inside the store and give your eyes a feast,

and remember to purchase a book of stamps,

for letters to connect with Texas and Tennessee.

Let’s now continue past the branch library,

but we will not linger now, for there is time,

time for you and time for me,

time for the hope of the woman,

even though the principle has been hijacked

by the congressional corporations.

O Ezra Pound, where are you now?

Thou were the CEO of Modernist Poetry.

Why did you take up residence at Saint Elizabeth?

Oh well we won’t go see the Muse,

and even without a single glimpse of the Muse,

the walk must go on; we shall go on. 

 

 

 Inside his mind was the Muse.

And she moves on, as the river;

as the water, she moves on.

Stones will not impede her.

Shameless she provides,

in the estuary,

when birds rest from their flight.

 

That was another time.

He was on an island most of his days,

protected from unprivileged eyes.

 

She called for the sky,

there came the sky.

She wanted rain.

She became fertile again.

 

As I walk now past the bicycle shop

again on Beacon Hill Avenue,

I am of this place and of this time.

There is another coffee shop,

but I won’t mention it by name when

the streets parade by with their designations

Horton and Hinds, Spokane at the Fire Station.

This is the loneliness of a long-distance intellectual,

the prelude with the pen that can enslave

better than an interminable sentence.

De la sierra, morena
Cielito lindo vienen bajando
Un par de ojitos negros
Cielito lindo de contrabando

Ay, ay, ay, ay, canta y no llores
Porque cantando se alegran
Cielito lindo los corazones

We do not object.

We do not object to its price.

 

Jin tien wo men cher fan

Wo men do shih cher fan

 

“In the café the women come and go,

Talking of Michaelangelo.

 

Koon Woon

Published in South Seattle Emerald

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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