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Wednesday, March 18, 2026

Chinatown Vignettes by Koon Woon


 

Vignettes of Chinatown and Slices of Chinese-American Immigrant Life

 

Chinatown, Seattle (a poem)

 

When the light is with you,

the dust is behind an old gift shop. 

Faded memories are displayed in the window.

Persistent footsteps have descended these curbs

for humbow retreats. Footfall killing time.

 

Frayed stairs of tenements bring down bitter strength.

Through alley doors furiously wokking,

below Chinatown family association halls.

Pigeon feathers and other disorders

flutter down these streets. Footfall killing time.

 

On Weller Street roast ducks are hung,

headless, dripping fat, next to

The Proprietress of Love; three flights of stairs

lead to a den of poverty. Unwashed windows face

out at tarry streets. Footfall killing time.

 

Construction workers face-lift the train station

and the sports dome is about to be imploded.

All discussions of dim sum before the tea kettle whistles,

drainage pipes complain of rust and leakage

on these back streets. Footfall killing time.

 

On a spring day the sun mild and modest,

tender green foliage reappear on inner city streets.

On a fall day at sundown warm and emberly

as the ferry traverses the Puget Sound,

the maples turn three or four shades of yellow and brown,

when lightly you walk upon these streets,

footfall killing time.  

 

 

  1. Rooms and Occupants

 

     Up four flights of the rickety, windy stairs of 416½ is a den of poverty in #317. There lives a not-so-recent Chinese immigrant asleep on a cot with a cockroach crawling on his face. He is in a medicated stupor, while the roar of the traffic down on Jackson Street going east and west, and the I-5 freeway likewise rumble over Jackson going north and south. His room has only one window without shades. He uses a cardboard to block out the light. Pushed against the window is a small restaurant table, the kind for a solitary customer. On his table is an opened book, Pale Fire, by Vladimir Nabakov. Come to think of it, this old hotel is a firetrap. But because of the grandfather clause, this hotel doesn’t have to be up to code to have inhabitants.

     In the next tenement #319, an old frail man is coughing, while reading the Longacres’daily racing form, before he will negotiate the stairs and out the narrow double entrance doors of this tenement to catch the bus to the racetrack. Built in 1920, ostentatiously called the Republic Hotel, when there was a lot of money floating around in Seattle, and in the 1930’s, it sported an all night dancing ballroom. The old man is thin and tubercular but he is still smoking. He washes his clothes in his room and hangs it on a wire to dry.

     To the left side of #317, the occupant of #315 is a svelte youngish woman, who has just finished eating a bowl of sweet barley soup and is blow drying her long black hair, minutes before she has to rush off to catch a bus downtown to transfer to Virginia Mason Hospital where she is a housekeeper.

     The able-bodied tenants have gone to work in restaurants and garment shops. Some old tenants are babysitting their grandchildren. Here they are hidden from Chinatown streets. The occupant of #317 is taking his afternoon nap. He has a mental disorder and his medication tires him easily. He has been reading all morning because he is taking a correspondence course in autobiographical literature from the University of Washington. He had lunch not long ago, lunch that he had cooked on the hot plate. He had rice and fried bacon rinds. The cooking grease odors make the roaches active. One is now crawling on his forehead. He is oblivious to the world.

     When Shui washed her bowl in #315, the bowl that held her sweet barley soup, she rinses it several times more than necessary in her basin in the corner of the room. The room measures 10 feet by 12. This is the total sum of her real estate besides the communal tubs at the ends of the hall and the communal toilets. She even has to bring her own toilet paper. Now she opens her door, gets out, locks it, and then checks it. Then once assured that it is secured, she starts running down the hallway and down the tenement stairs. Out on Seventh Avenue South when she pushes open the tenement doors, she runs to King Street and runs downhill to 4th Avenue South to catch any of the buses that go downtown, where she will transfer on a bus to go to work. She wears a blue windbreaker, making her a streak of blue in the rusty streets of Seattle Chinatown. She shields the sun from her face with the left hand holding a folded newspaper to her forehead. People turn and stare. She is also oblivious to the pedestrians and drivers on King Street and her only thought is to get to work on time. There just never seems to be enough time to get everything done. There’s always so much washing to do. The tenants hang their hand-washed laundry on the fire escape, different colors like the different flags of the U.N.. But poor Chinese immigrants have little representation in America, let alone the U.N..

 

  1. Introduction to Mr. K

     There’s what the sociologists called the “drift-down theory,” that is, the mentally ill and the less able drift down the economic rung until they find the level at which they can function and operate. And so according to the logic of this theory, the people in Chinatown, albeit it is a glittering ghetto, are there because they can’t function anywhere else…

     And so when K, the occupant of #317, wakes up because he has to go and urinate, he goes down the hall to the communal toilet stall. He normally counts as he urinates. This time it is a count of thirty. He counts like this: one-thousand-one, one-thousand-two, one-thousand…and so on and he finishes urinating at the count of thirty. So, he knows that he has been urinating roughly about thirty-seconds. After zipping up, he goes over to the window in the alcove that leads to the fire escape for a breath of air. He absent-minded looks down on Jackson and 7th Ave. S. and sees a military tank coming up the street. It looks like a tank wants to stop and take up position. Just then, a motorcycle police speeds up and escorts the tank up Jackson Street. K wonders whether they wanted to blow up the Republic Hotel.

     But he doesn’t think about that for long, for he wants to get back to his correspondence course. He is taking a course called Autobiographical Literature, and now he is reading Franz Kafka’s letter to his father, a very convoluted and detailed letter like a legal brief. The rug on the tenement hallway is thin and frayed. Passing by the manager’s and  #319, he enters into his room and sits down at the only chair in the room at the only table and it is pushed against the only window. He likens the window to the eye of Cyclops on the world. He boils some water on the hot plate for some instant Folgers coffee. Folgers is the cheapest brand he could find. He goes back into his reading, making notes, and occasionally, a cockroach would crawl around the bookshelf above the bed to the left of the table. The small table also serves as the dining table and for writing letters to his Uncle in China. He writes one letter every two months in very rudimentary Chinese, since he only studied five years of grammar school in China before he emigrated to join the rest of his family here in the U.S. He moved into Chinatown when he left the crack house in the University District five years ago. Immediately his rent dropped $130 a month, and with that he was able to take a correspondence course every six months and have a little bit of money to send to his Uncle.

     Meanwhile, cars go up and down Jackson Street down below and their chrome gleamed aggression. And there are enough sirens here to last a lifetime. The police station of the South Precinct is only five blocks away; the fire station is only a few blocks away and the hospital is just up the hill. And in the morning, the huge, long Gais’ Better Bread truck negotiates its way up Jackson. And buses roll down the street, and finally, he began seeing homeless people sleeping on the top of the building across the street, a foreign car garage…

 

A Moment in My Rented Room (a poem)

 

Sometimes I think of myself as an astronaut

In my compact, rented room and look upon the bookshelf

With its deep mathematics books for deeper space

As from a voyage from which one cannot return.

Then multiply by several million men who cannot marry,

Men who cannot own homes, or to work, or to go to college.

This is almost equal to the space effort.

But why all that money? I can go to Pluto just by

Being in a bad mood.

 

Sometimes I think of the loneliness of deep space

In my rented room. The neighbors have busily gone off to

Epsilon Centauri or Galaxy X-2137 or to the 7 – Eleven.

Sometimes I look at my 16-oz. jar of coffee; I know

What the minimum daily requirements are. Cybernetics

Steers me to avoid collisions with black holes or stars,

And my hot plate sustains me with pinto beans and bacon rinds,

And on my mini stereo, always the Blue Danube.

 

It is rainy today. My room is a bastion . I am filing

The sparse bars of prison. I am building a mental atom bomb.

I am designing spaceships. Multiply this by several millions.

 

                      

  1. Miss Miao

   “My sad friend,” Miao sighed, “It is my misfortune you are unable to work and I have to garment shop work and cannot go real school.” She said this when the English ESL tutoring session was over. She still had to hand-wash her laundry and to hang them in her room. She normally obtains water through a hose from the corner washbasin of her tenement room, with the water separated into two plastic buckets she retrieved from a restaurant nearby, one bucket with soap and the other one holds water for rinsing.

     K would sit at the edge of her cot and converse with her and she would sit on a small stool and wash away, underwear and all right in front of him. They were both from

Canton.  He had come twenty-five years earlier as a young boy. There was little pretense between them. K told Miao he would marry her if he could.

     Miao had been a police clerk in Canton. One time when K explained a new vocabulary word to her, she suddenly searched under her bed. Among the boxes of papers and notes she found just the right piece of paper and the exact word under discussion. Her father, who lived in the adjacent room, had been a minor official in China that was imprisoned by “The Gang of Four.” Miao explained it this way: “One time my old father was a little bit crazy. He thought all the radios and speakers were saying, ‘Old Kuang, you are a bad man.’ My father went to hide in a garage. And after a long, long time, I looked for my father and found him, and I say ‘Father, it is all right now, you come home.’”

     One day Miao was working at the garment shop near the Kingdome stadium when she went out into the hall and ran into Kathy, who owned the Artex import company, which operated out of the warehouse a floor above the garment shop. Kathy is Taiwanese Chinese and since Miao speaks Mandarin, they got talking. “How is your English?” Kathy asked. Miao said that she is studying ESL at Seattle Central College and that she had a tutor. Kathy then asked, “How is your memory?” Miao said her memory is normal.

     “Good!” Said Kathy, “You need to remember many items of imitation leather vinyl goods for office products we receive and ship. There is some moderate lifting and some faxing requiring elementary English. I do need someone. Would you like to try?”

     By a stroke of luck, Miao became a warehouse shipping clerk. Rather than to work with forty other noisy women in a hot stifling room, Miao now is able to work alone in a cool warehouse with more of a future. Miao’s enthusiasm for learning English was doubled. 

  

When Kafka Is Unhappy…

     When Kafka is unhappy, he paces about his room in the rooming house known as

“The Castle.” He shares the carpet with a little girl ghost as she runs back and forth, stepping over his slippers, humming Leonard Cohen’s tune “Suzanne,” and ignores the writer/lawyer altogether.

She has a mind of her own, thinks Franz. But I have to keep my windows shut so that caterpillars can’t get in here and eat what’s left of my bagel with cream cheese.

     Being a lawyer and working for the Disability Compensation Bureau, Kafka sees many people down on their luck. One mistake in the workplace can cost you your hand or an arm. And a ton of bricks can fall on you at the factory if the forklift guy isn’t looking out for you. And so you join the union. Safety in numbers.

     The other day Max Brod came over and wanted to be literary executor of his novels. Franz is not so eager to publish his works in his lifetime. “Just think, my dear Franz, with your clean prose, elegant and Spartan, and your ideas, what ideas! How can you deprive the world of this literary feast?” Franz remains mum. He is afraid that success, if it does come, would spoil his anonymity and even misrepresent him. I wrote because of these maddening ideas, and in no way am I going to betray my little girl ghost in my room.

     Kafka does lament that the door of his room leads to the communal den. And when he leaves or comes he needs to see other boarders eating at the communal table where Joe leans his bicycle. He is careful not to let the girl ghost out of the room. He always worry that she is too thin and has an eating disorder. He usually buys a loaf of bread, cheese, and liverwurst and hides it in his lawyer’s bag for the girl. She never touches the food.

     And so Kafka ends up eating what he brought for the girl ghost, and thinks about justice in a small way. It is overly misrepresented, he thinks. We lock ghosts up and they haven’t done us the least harm. He thought about a passage from Leonard Cohen’s early poems, “I wonder, when I look out the window of the furnished room, how many people are looking back at me?”

     Kafka kept on writing throughout the night. He knows that on a cold, cold day, his manuscript can make a pale fire. The thought of that makes him feel warm. He ignores the little girl ghost as she raced up and down the carpet. Writing was his real job.

 

Koon Woon

Published in Gobshite Quarterly

 

 

De la Mancha

 

Paper was invented when a tree fell into a pond

Ink was invented when a berry dropped onto the ground

 

Don Quixote was born when Miguel Cervantes picked up the pen

But for four hundred years we still not learned a thing

What we invent that don’t kill we still have not utility

We double-down on the lethality of monstrous cruelty

 

The practical thing to do is still to endlessly augment our wealth

Never mind the environmental damage to our health

 

When the drones come out from the local police departments

We must stay home and read about the knightly news

 

Don Quixote and Sancho Panza the pair de la Mancha

We count on you!                                                                                                                

 

Koon Woon

(previously published in Quixotica, Hong Kong)

 

The North Beacon Hill Canto

 

I will pay for the breeze, brief as it is,

rippling across the shroud of green leaves

over the ravine, on this sun brightened day,

in my Beacon Hill neighborhood,

where life is idle, and Dylan Thomas would pronounce it good.

 

On rainy days even, it boasts of a solitary café:

[The Station],

as in a station of the metro,

“the apparitions of these faces in a crowd”

(a small intimate crowd it is),

“petals on a wet, black, bough.”

 

And would it have been worth it,

to order a tea, coffee, or cocoa,

marshmallow or orange marmalade

that will take you to another level of glad?

Like a walk from the house at a fresh hour of the morn,

inclined so slightly is 18th Avenue South,

spritely I jaunt past houses with eaves and green paint,

past shrubs manicured and the variegated roses that grace

communal pledges that we made

to rescue each from days that are sad,

as the gardens were mastered by gardeners

who measure without malice and weigh without hate.

 

Cross Beacon Hill Avenue with me to the Red Apple,

a house of plenty on this hilltop.

Take your sums from the Wells Fargo ATM,

go inside the store and give your eyes a feast,

and remember to purchase a book of stamps,

for letters to connect with Texas and Tennessee.

Let’s now continue past the branch library,

but we will not linger now, for there is time,

time for you and time for me,

time for the hope of the woman,

even though the principle has been hijacked

by the congressional corporations.

O Ezra Pound, where are you now?

Thou were the CEO of Modernist Poetry.

Why did you take up residence at Saint Elizabeth?

Oh well we won’t go see the Muse,

and even without a single glimpse of the Muse,

the walk must go on; we shall go on. 

 

 

 Inside his mind was the Muse.

And she moves on, as the river;

as the water, she moves on.

Stones will not impede her.

Shameless she provides,

in the estuary,

when birds rest from their flight.

 

That was another time.

He was on an island most of his days,

protected from unprivileged eyes.

 

She called for the sky,

there came the sky.

She wanted rain.

She became fertile again.

 

As I walk now past the bicycle shop

again on Beacon Hill Avenue,

I am of this place and of this time.

There is another coffee shop,

but I won’t mention it by name when

the streets parade by with their designations

Horton and Hinds, Spokane at the Fire Station.

This is the loneliness of a long-distance intellectual,

the prelude with the pen that can enslave

better than an interminable sentence.

De la sierra, morena
Cielito lindo vienen bajando
Un par de ojitos negros
Cielito lindo de contrabando

Ay, ay, ay, ay, canta y no llores
Porque cantando se alegran
Cielito lindo los corazones

We do not object.

We do not object to its price.

 

Jin tien wo men cher fan

Wo men do shih cher fan

 

“In the cafĂ© the women come and go,

Talking of Michaelangelo.

 

Koon Woon

Published in South Seattle Emerald

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Monday, March 16, 2026

 

Bare to Green

 

Bare is the season

Twig by brittle twig

Updraft and downdraft

Rain followed by sleet

 

Hot tea in my room

Frigidaire kicks over, hums

Know it is electricity

Borrowed from Susie

 

T.S. Eliot for measure

Rod McKuen for laughs

In between, ice cream

And e.e. cumming’s “Big Olaf”

 

So long I am insulated

From the world and insults

I can play this lonely game

Until the twigs bud green

Sunday, January 26, 2025

poem

A Mirage

 

 

People make monuments out of clay.

 

In idleness, I study the sky.

Dark clouds portend rain.

The history of clouds is the history of

     rice crops below.

 

The unknown poet Du Fu thought seagulls,

suspended between heaven and earth,

had traced his signature in the sky.

 

Still,

he is unsure if his poems will fly

     down the ages…

 

 

What does all this matter to me,

for I have even given up wine.

Whose praise do I need,

as I am too poor to take a wife.

 

Still, I am glad I am not a figment

     of someone’s imagination,

and I, I have a cold stream nearby.

 

I have set the fish trap.

It contains no mirage.

 

 

Koon Woon

2022


Saturday, January 22, 2022

Poem _______________ Koon Woon

 

When you, when I …

 

When you catch me writing,

when you catch the wind,

a warm breath is blowing, &

birds flock over the land.

 

Though the political is absurd

and men often pitch dirt,

a raindrop of the good

portends a brotherhood.

 

Take this feather, my friend,

it’s preserved from childhood.

Recall fondly the days and nights

in this undertaking we call life.

 

When you, when I are far awake,

an opulent music we shall make.

And we will laugh and dance, as

Providence bestows another chance.

 

Koon Woon

Tuesday, January 11, 2022

David Gilmour _________________ two poems

 

DREAM-DOG

 

 

Say, it was vivid! -- akin to something --

Someone alive and kicking.

I know I should have caught that 4:11 am

Dream lingering at the empty platform,

When I sat bolt upright, I saw myself

As if myself saw me in the high-

Density reflective mirror of that world.

A crisis whether to arise,

Dress, eat, and climb aboard the blank page;

Whether to drop back down the rabbit's hole to sleep.

 

Had it, fed it, bled it, died!

Alas, that frisky puppy of a dream-dog

Up and abandoned me. Carried on a carriage,

Taken on the brain-train,

Chuffing on down those serpentine tracks

Until the rails went skew,

Now's blowing smoke in distant fields

Where poetic frogs used to croak.

 

Through channels reamed by rumination,

The barge hangs by some mooring post,

Along by now a narrow ditch, a psychic lair

Where something more than frog was spawned,

Where it's at home,

Like simple souls a while ago,

Who chattered, smoked, and sipped green tea

Over yellow formica breakfast tables,

Morning sun in streams of gold,

Through the hazy kitchen windows.

 

 

 

TRANCE FORMATION

 

The cosmic picture or the uncosmetic chaos

Is pressed by the spirit of Life

Upon the walls of its own awareness.

Rainbow arcs, moon above the pyramids,

Cliff faces, glassy mountain ribs.

The listener might see a spectral fragment,

The large red,

A lamp glowing upon a triangular plane,

A rough stone, tragic ledges,

A dead drop into blue chasms.

 

Nature’s mass can be reordered:

Coherent line, measure, form, and word.

The singer’s synesthetic eye,

A wild iris, savage thought.

A maelstrom of meanings:

Pristine is white,

Black is pure, men are wheat,

Women violets with a deep, deep core.

Raven, a nightjar,

And a sign of spring—cuckoo!

 

All concocted transformations,

Laden galleons sailing across classifications

To an unknown shore,

The blades from bristling pines

Palming the foaming eddies,

Skimming across orders

To an ineffable shore,

Down to earth experience,

Amber and frankincense.

 

Out they fly from the cave of dreams,

Carlsbad-like gusts of plumage,

Beauties once worn by cargo cultists

Now extinct in paradise

In faraway Sarawak.

 

Soaring,

Focusing on all divine planes,

Swift squadrons,

Drawing evening in,

  

Sunday, January 9, 2022

koon woon

 

The Warsaw Pact

 

There are losers from Eastern Europe living in this apartment building, as well as Asians, and Blacks and a couple of indigenous people. We are sometimes a conflicting community. But the Whites, albeit poor, rule. The Russian is seldom home for this reason? I am China-born Chinese and my age should command respect, but it doesn’t. Things are not like they are in the old country.

 

In some ways, this is a Jean-Paul Sartre story. There are a few viable exits and so we wait for Godot. Sometimes one can smell death coming on and sometimes one can narrow it down to which of the nine floors. And when an occupant is not seen for a prolonged period of time, their worried relatives will find a putrefying mess in that room. And so it goes, Kurt Vonnegut Jr.

 

It seems though that the formula 3% Chinese living here is both admired and resented. According to Emily the Black lady with one functioning eye, the Whites and the Chinese got all the money. It could be so, but the Chinese who don’t play along with the white agenda remain in Chinatown, where massage parlors mushroom in recent times when smuggled aliens are well hidden in the Chinatown conclave where the police seldom assess unless it is horrendous enough of a crime such as Wah Mee.

 

There are all kinds of misconceptions here, of course. Approximately half of the people here are disabled and of those, half are mentally ill, and the other half are seniors enough they either don’t care or unable to care. But it is like Roethke’s “Root Cellar,” the Congress of stink here struggles to survive.

 

(To be continued…)

 

- Koon Woon

January 7, 2022

 

John Gorski ______________ three poems

 

SUNDAY, JANUARY 9, 2022

John Gorski -------------- three poems

 

Questioning Poets

 

Queries for Keats

 

Why did you walk through twenty-five

miles of November rain

in a flimsy springtime waistcoat,

immune to thoughts insane?

Did you think death was no more

than a laudanum dream –

an apparition murmuring

of that not fully seen?

 

But you knew it had arrived

like the Italian sun

in your fevered rooms in Rome

of breathless consumption.

Did you ever hear portents

in the nightingale’s song

that you wouldn’t live to Wordsworth’s age

or even half as long?

 

A Query for Clare

 

Why did bird song stay in your head

from Emmingsale’s heath

where Night Jars called and the hawk

whistled like a thief?

You didn’t heed the cold-eyed

men of science in London

who peered through the sterile glass

at the corpses of robins.

 

Ignorant henchmen of commerce

lived in that city,

their black thorn hearts icy toward

avian poetry.

How could they hear other bird tunes

as nightingale music

which you still heard within the walls

that housed lunatics?

 

2021                                         John Gorski

 

 

Childhood Idles

 

Teddy Bricks, my one-time ursine companion,

slouches in a corner chair – his faded green

vest and feathered Robin Hood cap askew.

His metal limbs are old and twisted.

When I wind him up, he can no longer

execute his mechanical somersaults.

Sad in disrepair, he commiserates

with my sister’s bear, Teddy Bebe,

who’s grown pudgy and moth eaten.

 

Now they rest in the spent morning’s

shadows, as I reach for my shoe box

of baseball cards. I shuffle the smiles

and stances of Walt Dropo, Elroy Face,

Ted Kluzewski and Yogi Berra through my hands.

 

After lunch, I go out to our back yard

with my bat and rubber ball and pretend

to be Gene Woodling – the only Baltimore

Oriole hitting over 2.60. I’m swinging

for the fences (sixty feet away) and

trying to hit that red orb all the way

to Glen Burnie (a half mile away).

 

Through the kitchen window, the Coasters

harmonizing “Young Blood” draws me out

of that August Maryland swelter to drop

a lemon-lime Fizzie in a glass of ice water.

Then, I look through my collection

of Rhythm and Blues trading cards

to see if I can find one of The Coasters

among Laverne Baker, Little Richard and Elvis.

 

At twelve years, I finally learn

to ride a bicycle and pedal out

with my friends to beaches on the Severn River.

There, I watch sails billow over glittering

liquid blue towards Chesapeake Bay.

 

2021                                                       John Gorski

 

 

 

Hamilton County Purgatory

 

    “He would have convicted Jesus Christ too,” the thirtyish

Corrections official exclaimed when he saw me enter

the third floor of the Hamilton County jail. I had just come

from the Common Pleas court of Donald White where I was

found guilty of possession of marijuana – still a felony in 1970.

    I guess I looked innocent in my suit and tie and Ivy League

short hair. I said, “ I think I’ll get probation because I’m

going to college.” “So, you’re smarter than the average bear,”

he shot back, using the culturally dated TV lingo typical of the

Ohio River valley.

     Then a guard escorted me to my cell and I met the other

occupant, who was waiting to be remanded to a hospital

for the criminally insane. Other detainees drifted into my cell

over the next twelve days. Some would be going to the Ohio pen.

Some asked if I had brought any weed with me. Of course, I hadn’t

since “I was smarter than the average bear.”

     During that time, I met an assortment of interesting people. One

of them was in for smuggling. He was from my high school and a first

string member of the basketball team. He told me about my senior

class president who got busted with two others for smashing a plastic

statue of a llama in a city park. The llama was stuffed with

packets of hashish. Another was a member of a motorcycle gang

who discussed the merits of eating grasshoppers. One got drunk

and forged a check.

     One day, the warden let us watch an old black and white B movie

from the forties. In it, a gang of convicts were on a train chugging

over an elevated railroad bridge when one of them was thrown

from the train. Everyone cheered.

     On Sundays, Top 40 radio was piped in over the public address

system. Melanie wailed “Candles in the Rain” while someone said:

“That white girl sounds kind of weak; why can’t they play Aretha.”

Then Norman Greenbaum was singing “Spirit in the Sky.” I closed

my eyes and saw myself in a dark earthen cellar, looking up at

a door flooding with white light. It reminded me of reading

Pilgrim’s Progress where the pen and ink sketched sun seemed

to expand at the end of every chapter.

     Then one day the guard said I was getting out tomorrow. The next

morning, the “key” arrived in the form of a probation officer. It seemed

“The Curse of Harry Anslinger” was beginning to lift and the 1930’s era

marijuana laws were receding.

     Then my father arrived and we rode into a pulsing March morning of

of rainy light. After two weeks in windowless halls, it lifted me in a rhapsody.

That night the purgatory of jailed voices vanished from my sleep.

 

2021                                                                                         John Gorski